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In 1961, Bakhtin’s deteriorating health forced him to retire, and in 1969, in search of medical attention, Bakhtin moved back to Moscow, where he lived until his death in 1975.

Bakhtin's works and ideas gained popularity after his death, and he endured difficult conditions for much of his professional life, a time in which information was often seen as dangerous and therefore often hidden.

Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s.

Bakhtin was born in Oryol, Russia, to an old family of the nobility.

and scholar who worked on literary theory, ethics, and the philosophy of language.

His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology.

The same sense of fun and irreverence that gave birth to Babel's Rabelaisian gangster or to the tricks and deceptions of Ostap Bender, the picaro created by Ilf and Petrov, left its mark on Bakhtin." He later transferred to Petrograd Imperial University to join his brother Nikolai.

It is only after the archives became public that scholars realized that much of what they thought they knew about the details of Bakhtin’s life was false or skewed largely by Bakhtin himself.

Toward a Philosophy of the Act was first published in the USSR in 1986 with the title K filosofii postupka.

In 1937, Bakhtin moved to Kimry, a town located hundred kilometers from Moscow.

Here, Bakhtin completed work on a book concerning the 18th-century German novel which was subsequently accepted by the Sovetskii Pisatel' Publishing House.